Â鶹ԭ´´

In The Galileo Project, Nancy Bockbrader, Doug Bosch, and Richard Whitten have created a dialogue across media, time, and imagination—one that links contemporary art to centuries-old scientific inquiry. Drawing from the history and the visual language of the scientific instruments housed in the Museo Galileo, each artist interprets and reimagines these objects through the lens of their own practice. Bosch’s sculptures, tactile and purposefully imperfect, suggest objects suspended between function and fiction. Whitten’s intricate paintings create a catalogue of invented devices, each that inhabits a specific if unidentifiable place. Bockbrader’s hand-bound catalogue, with essays by curator Dr. Victoria Gao and Dr. Natasha Seaman, provides a satisfyingly unique companion for the exhibition. Together, their works blur the boundaries between art, science, and history.